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Popular music in the year 2001 is in a state of suspense.
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“Sometimes I work with beats, sometimes with layers,” he said. “Now it is like I am in a gladiator film.” He mentioned some of his musical influences, which included avant-garde figures like Merzbow and the composer Morton Feldman. “I am familiar with dark, small clubs,” he said after the sound check. With ice-blond hair and black sunglasses, he looked like a young Bond villain, but he turned out to be a friendly, chatty sort of sonic terrorist. Christoph was in the center, eying his mixer and his CD players. From there, planks reached out to a temporary stage. One had on a Kafka T-shirt, and others wore shirts with a Radiohead logo, which can only be described as a demon in tears.Ī side door led to a concrete corridor, where the bulls run on an ordinary day. Radiohead fans were gathered at the entrance, staring up at the sound and asking what it meant.
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He was the opening act for Radiohead, a five-man rock band from Oxford, England. named Christoph de Babalon was testing his gear. In fact, the source of the disturbance was a local bullring, the Vista Alegre, where a German experimental d.j. For a moment, it seemed as if the noise were coming from there-as if the building were about to lift off and rocket elsewhere. At one end of Calle de Iparraguirre, which cuts across the town, the silver shell of the Guggenheim Museum was glistening in the sun. On a hot day in May, the city of Bilbao was shaken by a velvety roar, not unlike the sound of a jet plane waiting on a tarmac. Ed O'Brien, Colin Greenwood, Phil Selway, Thom Yorke, and Jonny Greenwood: combining boyish riddles with sophisticated musical games.
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